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There are more than 200 results, only the first 200 are displayed here.
With blazes nearby, TV news bars well on fire, we human animals are panicked, feel the shudder of rotors above our roofs. Very soon thirsty helitankers will thunder down to drink from our neighbourhood lake. May we remember tomorrow, nothing will be more worried than pelicans in broken reeds, the night heron in its naked tree.
This year the contrast between the original story of Christmas and its Australian circumstances has cut even deeper. Bushfires have taken lives, destroyed properties and spread smoke and ash over cities. If the theme of the first Christmas was one of hope and joy, behind the bushfires this year lurks anxiety about the future of the world.
Staring toward the stringy picture through a linguistic lens I have begun to see that the elderly magic, deplored by most religions, was a daughter of coincidence mathematically robed in some downright glorious colours.
It's difficult to move in this landscape. Haunted and fragile and tragic, there's no place that is benign. A cursed house, the Greeks might say.
Thank God for Bollywood and daytime TV. For the all night partyers and marathon love makers. For the hash brownie bakers, the nut crackers and pot-stirrers ... the drum-beating banjo-twanging wannabe musicians ... the incense wafting up from the first floor through our bathroom vent — frankincense I'm tempted to think.
The dirt ploughed easily under our bulldozer fists. After rain it was still dust underneath; roadworks were brisk. Kangaroos down from Mt Ainslie pooped in our miniature town, new boulders for the centre of our roundabouts. Around and out — the arteries in the front garden ended in neat driveways bumper to bumper with matchbox cars.
The voices of two women in the train up to the highlands rise in volume and insistence ... 'Mother, they're not Germans. I said, gerberas, they're all around the farm. Just wait, you'll see them from the window of the lovely room we've set up for your stay. A field of gerberas in full bloom.' 'And are the Germans all in uniforms, then, dear?'
I love reading about the lives of the poets. The ones for whom nothing good ever happened. The ones who were sure that if they did not write, they would surely disappear. The ones who tried to make the invisible visible, and failed; who carried news to this world from another one, as if it were bottles of wine and loaves of bread.
Take almost any street, in any modern city, and we are there. We are the substrata of society, ever-present, the unseen lining, the padding in the crowd. We carry our backgrounds closer than our wallets, effortlessly. Yet they inform our every step.
Robert Harris' The Gang of One ranges through Harris' five published books and a number of uncollected poems. Early work grows from his occasionally lonely, knockabout life and reveals not only a talent for catching the essence of fleeting memories and perceptions but also a mordant touch that gives edge to memory.
He proceeded to move in with silence. His eyelash touched her cheek first, then his lips. Only one with an expert heart could get it this right, she thought to herself, as he kissed the right, then left cheek, pressing his fig-lips precisely in the right place.
I asked Les then what he anticipated at the end of what was for him a very earthed life. Les was phlegmatic — he imagined a reunion with his parents (his mother died when he was 12) but was content to 'wait and see ... we are on certain post-mortem promises after all'.
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